4 questions to Thibault Desaules, dancer. “The notion of letting go allows us to ‘explode’ our sensations. Even if Practice’s exercises are written and codified, they free the imagination and enable dancers to remain alert and creative.”
4 questions to Guillaume Forestier, dancer. “I think the performer naturally explores his creativity. Our bodies always speak for us; you can read a multitude of nuances in them just by the way we do things.”
4 questions to Madoka Kobayashi, dancer. “I would say that it helps to be creative when you work with your body. Because the body is a very concrete thing, which you know by heart as a performer…”
I am currently working with Yuval Pick on a research project around Practice, aiming to better identify the method, to document it and to accompany its formalization.
At 51 years old, Yuval Pick already has a successful career as a dancer and some twenty pieces to his credit. In 2011, he succeeded Maguy Marin as director of the CCN of Rillieux-la-Pape…
Yuval Pick is one of the few contemporary choreographers to develop a new method of training and education for dancers: Practice.
